A man, a woman, and a dog . . . and a subtly observed truck-stop drama whose strengths derive from character and mood, one whose screenplay is (like all the best scripts) at least as much about what goes unspoken as it is about what’s actually said. Writer-director Tobias Pichler (in MUVI competition 2019 with Monday – filous) elicits indelible performances from his tiny cast, and packs more into thirteen minutes than most Hollywood productions of ten times that length.
